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 Prahlad Srihari
Articles by Prahlad Srihari

Page to screen: On Queer, desire and disembodiment

There is no tenderness in ‘Queer’ by William S Burroughs. Luca Guadagnino’s film adaptation, however, is injected with sentiment and sensuality

“When Burroughs described Lee as a man whose “face was ravaged and vicious and old,” Daniel Craig is not the first person who comes to mind. Sporting wrinkled linen suits, khakis and a fedora, the English actor can make even the sordid tasteful.” (Film still from MUBI)
Published on May 02, 2025 06:11 AM IST

A Complete Unknown: When Bob Dylan plugged in

 James Mangold’s A Complete Unknown doesn’t look to decode Dylan’s genius but echoes what it must have felt like to populate his orbit

Timothée Chalamet plays a young Bob Dylan in A Complete Unknown. (Film still)
Updated on Apr 18, 2025 06:47 AM IST

Aspiring to greatness

On ‘The Brutalist’, personal vision and appropriation, and the American Dream as a bait and switch scheme

Adrian Brody and Felicity Jones in The Brutalist (Film still)
Published on Apr 10, 2025 03:05 PM IST

BIFFes 2025: On the Wim Wenders and Krzysztof Kieslowski retrospectives

Between Wenders and Kieślowski, the viewer is provided two revelatory lenses through which to view a changing world and the nature of humanity itself

A scene from Krzysztof Kieslowski’s ‘Three Colours Blue’. (Film still)
Published on Mar 28, 2025 11:12 AM IST

Handmaid’s Tales

As a new era of political conservatism dawns, calls for restrictions on abortion have grown louder in some societies. 

“Abortion wasn’t decriminalised in France until 1975. To 23-year-old Annie Ernaux, securing one hush-hush in a back-alley was an act of self-preservation. It allowed her to continue her education, pursue her dream and become the Nobel Prize-winning author she is today. The 2000 memoir Happening recounted the whole ordeal. In its 2021 film adaptation, writer-director Audrey Diwan keeps the camera close to Anne.” (Film still)
Updated on Feb 27, 2025 02:48 PM IST

A wrap-up of Sundance Film Festival 2025

The line-up this year was heavy with stories of stifled desire, of anger against subjugation, and of resilience in the face of illness, grief and loneliness.

A scene from ‘Sorry, Baby’ (Courtesy of Sundance Institute)
Published on Feb 10, 2025 05:50 PM IST

On Anora and invisible labour

While addressing the invisibility to which sex workers are subjected, films like ’Anora’ also examine how the capitalist framework shapes sex work, how the transactional nature of sex work shapes relationships, and how money shapes power dynamics

A scene from Anora (Prime Video)
Published on Feb 08, 2025 05:58 AM IST

Ugly business; About ‘The Substance’

A dissection of Coralie Fargeat’s horror sensation about the emotional violence of beauty standards and of body dysmorphia rendered nightmarishly concrete

Demi Moore as Elizabeth Sparkle in ‘The Substance’. (MUBI)
Published on Jan 14, 2025 03:12 PM IST

2024: A snapshot of the year in cinema

From Payal Kapadia’s ‘All We Imagine as Light’ to Pascal Plante’s ‘Red Rooms’, 2024 served up a generous haul of cinematic riches, provided you knew where to find them

‘All We Imagine as Light’ directed by Payal Kapadia marks a historic milestone for Indian cinema. (Film still)
Published on Dec 27, 2024 03:12 PM IST

HT reviewer Prahlad Srihari picks his favourite read of 2024

A challenging marvel of a novel that works inquiries into the nature of charisma and the gap between ideology and reality into a high-stakes espionage plot

Of espionage and eco-anarchism: “Expansive though the novel may be, the writing remains nimble. Words hum with possibilities and a deadpan cool.” (Vintage)
Updated on Dec 20, 2024 12:32 PM IST

Page to screen: The highs and lows of 2024

This year witnessed stories, old and new, saunter routinely from the republic of letters to the republic of moving images. An overview of the best literary adaptations of 2024

“Netflix turning Gabriel García Márquez’s ravishing opus One Hundred Years of Solitude into ravishing TV this December bookended a demonstrably fine year for literary adaptations.” (Netflix)
Updated on Dec 18, 2024 06:18 PM IST

Looking back at MAMI 2024

Though the festival was shorter and the venues and screenings fewer, this year’s edition underlined how events like these give oxygen to smaller and braver films

“When the organisers came together to pick the opening film, the choice must have been a no-brainer. Payal Kapadia’s Cannes-championed ‘All We Imagine as Light’ is a luminous ode to Mumbai and all the migrants who make up the metropolis.” (Film still)
Published on Nov 29, 2024 09:16 PM IST

No medicine for melancholy

For women suffering from crippling depression in 17th and 18th century Europe, suicide by proxy emerged as a radical expression of freedom

A scene from The Devil’s Bath (Film still)
Published on Oct 25, 2024 09:04 PM IST

Alien: Giger counter

With each new Alien instalment, the eldritch mystery that came with the HR Giger-designed xenomorph has all but evaporated

Cailee Spaeny in Alien: Romulus (20th Century Studios)
Published on Sep 12, 2024 05:51 PM IST

Book to Screen: Eileen – Of desperation, deviance and deception

Eileen, the film for which author Ottessa Moshfegh co-wrote the screenplay based on her novel, is as uncomfortable in its skin as the title character is in her own

Anne Hathaway and Thomasin McKenzie in ‘Eileen’. (Film still)
Published on Aug 21, 2024 09:07 PM IST

The high-octane power of mythmaking

Now that the drama has died down somewhat, a closer look at Furiosa: A Mad Max Saga. The film doesn’t exactly tear up the rulebook on origin stories, but George Miller does give the Fury Road prequel its own voice, its own tempo and its own musicality

Dr Dementus and his biker gang in ‘Furiosa: A Mad Max Saga’. (Film still)
Published on Aug 12, 2024 09:31 PM IST

The economics of killing

With recent films like Hit Man and The Killer, the professional killer has emerged as a symbol of disillusionment in the gig economy. His evolution from a psychopath to an antihero has captured the collective imagination precisely because it has coincided with a rise in the existential anxiety that comes with freelancing in a predatory capitalist system

“The idea of the professional killer, as proposed by formative texts and preserved by Fincher, is shot full of holes by Hit Man. Such a specimen is a Hollywood invention, Linklater’s film argues while acknowledging their stardom within pop culture.” (Netflix)
Published on Jul 18, 2024 04:16 PM IST

Maestro: The dualities of Leonard Bernstein

Bernstein composed Broadway musicals, ballets and symphonies. He conducted Beethoven, Mahler and Stravinsky. A look at why a recent celebrated biopic couldn’t do him justice

American conductor, composer, pianist and music educator Leonard Bernstein (Shutterstock)
Published on Jul 04, 2024 08:44 PM IST

Shōgun: Lost and found in translation

Unlike the 1980 TV adaptation and James Clavell’s novel, FX's Shōgun emphasises the Japanese perspective, as it explores the tension between fate and free will

A scene from Shogun (Courtesy FX)
Published on Jun 21, 2024 03:39 PM IST

The Discarnates, All of Us Strangers and the pain of homecoming

Two ghost stories, two worlds and two temporalities inhabit the same representational space in Nobuhiko Obayashi’s The Discarnates and Andrew Haigh’s All of Us Strangers, both of which take off on Taichi Yamada’s novel, Stranger

The weight of memories (Shutterstock)
Published on Jun 06, 2024 08:21 PM IST

Page to Screen: Poor Things – Gray’s anatomy vs Lanthimos’s biopsy

Poor Things feels less like a cinematic translation of Alisdair Gray’s 1992 novel than a cinematic translation of the protagonist Bella Baxter’s perception

Emma Stone and Mark Ruffalo in Poor Things (Courtesy Searchlight Pictures)
Updated on May 17, 2024 05:16 PM IST

The Zone of Interest: The Holocaust film to end all Holocaust films

With this culmination of all the landmark entries in the genre, Glazer rethinks Holocaust films even as he refuses to let the victimisation of Jews be weaponised in the victimisation of Palestine

A scene from The Zone of Interest (A24)
Published on May 01, 2024 08:47 PM IST

Dune: Blind faith is the mind-killer

While Denis Villeneuve’s Dune flattens some arcs as it streamlines Frank Herbert’s dense tome into a five-hour spectacle, the director does give women characters Chani and Lady Jessica more dimensionality and agency

Sandworms in a scene from Dune: Part Two. (Warner Bros. Pictures via AP)
Published on Apr 23, 2024 09:13 PM IST

Essay: On the spectacle of cancel culture

Depending on whom you ask, cancel culture is a threat to freedom of expression or mere background noise; it is changing social codes or it is changing nothing

A scene from Sick of Myself (Film still)
Published on Apr 09, 2024 08:54 PM IST

Married to genius

Women have forsaken their own creative pursuits to rally around celebrated husbands. Books like ‘The Chosen’ and ‘Wifedom: Mrs Orwell’s Invisible Life’ and films like ‘Maestro’ and ‘Priscilla’ are now recasting spouses as historical actors in the tales of artistic achievements

A scene from ‘Priscilla directed’, and produced by Sofia Coppola. The film is based on the 1985 memoir ‘Elvis and Me’ by Priscilla Presley. (Amazon Prime)
Published on Mar 27, 2024 08:37 PM IST

Saltburn, Parasite and the class satire industrial complex

Ironically, capitalising on anti-capitalist sentiment has been quite profitable and the eat-the-rich satires now being regularly cranked out show that class warfare as scripted entertainment, strangely, seems to preserve the status quo

“If there is a rallying cry in Saltburn, it isn’t eat the rich, but beware the lower classes.” (Scene from Saltburn)
Published on Mar 19, 2024 06:43 PM IST

The Beast: All the lives we never lived

In Bertrand Bonello’s feature film, an almost-romance spanning centuries, Gabrielle and Louis, played by Lea Seydoux and George Mackay, are reincarnated as doomed lovers, always living under a shadow of a looming disaster

George Mackay and Lea Seydoux in The Beast (Film still)
Published on Mar 08, 2024 08:14 PM IST

Four Daughters: Performance as therapy, cinema as healing

Tunisian writer-director Kaouther Ben Hania’s Four Daughters is an audacious film about memory and motherhood that employs re-enactments as family therapy

A still from Four Daughters(Courtesy Cannes Film Festival)
Published on Feb 13, 2024 06:36 PM IST

Daaaaaali! Serving surreal for dinner

The logic and visual vocabulary of Salvador Dalí’s paintings feed into Daaaaaali!, a tribute to the pioneering Surrealist by Quentin Dupieux

Jonathan Cohen in Daaaaaali! “Not one, not two, but five different actors play Dalí at different ages: Édouard Baer, ​​Gilles Lellouche, Pio Marmaï, Jonathan Cohen and Didier Flamand.” (Film still/Atelier de Production France 3 Cinema)
Published on Jan 03, 2024 04:52 PM IST

Page to screen: The highs and lows of 2023

This year, many adaptations went smoothly from bookshelf to the box office, showing that a wealth of source material is available for cinematic translation

“For history buffs and film lovers alike, there is no denying Oppenheimer was the marquee cinema event of the year.” (Universal Pictures/Film still)
Updated on Dec 28, 2023 06:59 PM IST
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