By Karishma Upadhyay

Here’s Karishma Upadhyay’s list of 10 movies to watch that define this era. See how she made her picks

1 Gangs of Wasseypur, Parts I & II (2012):

Crackerjack characters, a fabulous ensemble cast (Manoj Bajpayee, Nawazuddin Siddiqui, Pankaj Tripathi, Richa Chadha), and Sneha Khanwalkar’s pulsating music, which keeps testosterone levels up in what is Bollywood’s most cinematic gangster film.

2 Delhi Belly (2011):

A Snatch-styled high-stakes caper, this Akshat Verma film is demented and delicious in equal parts. A cameo by Aamir Khan, gyrating in an Elvis-esque white jumpsuit to I Love You, Like I Hate You is just the cherry on top.

3 The Lunchbox (2013):

Ritesh Batra’s debut film, a love letter to Mumbai, created waves from Cannes to Chandigarh. The late Irrfan delivers a poignant performance in what is also one of his biggest commercial hits.

4 Gully Boy (2019):

Loosely based on the slums-to-stardom story of real-life rappers Naezy and Divine, this Zoya Akhtar film feels both authentic and lived-in.

5 Dum Laga Ke Haisha (2016):

Sharat Kataria turns the rom com format on its head in this story about a petulant, unemployed spoilt brat (Ayushmann Khurrana) being ashamed of his plus-sized wife Sandhya (Bhumi Pednekar).

6 Queen (2013):

This journey of self-discovery, across oceans and continents, is rare for Hindi films because at the heart of it is a woman (Kangana Ranaut).

7 Dabangg (2010):

A caterpillar moustache, a pair of aviators dangling from the back collar of a shirt so tight it rips open when Chulbul Pandey (Salman Khan) flexes, Dabangg is the most fun you’ll ever see this superstar have on screen

8 RRR (2022):

This three-hour-plus period drama by SS Rajamouli is an outrageous, high-octane spectacle that never runs out of steam.

9 Dangal (2017):

Based on the lives of the wrestling Phogat sisters, this Nitesh Tiwari sports biopic is the story of unlikely champions

10 Rocket Singh: Salesman of the Year (2009):

This Shimit Amin film about the importance of basic goodness is an oddball in Ranbir Kapoor’s filmography but it’s a performance well worth watching.


(Karishma Upadhyay is a film journalist, critic and author of Parveen Babi: A Life)